A playful yet haunting figure emerges in Booger Snatch — equal parts relic, ritual object, and reminder that humor lives inside even the most human repairs. Booger Snatch balances whimsy and reverence in a sculptural composition that feels both ancient and alive. A central, curving wooden form reaches outward like a relic or a gesture — awkward and graceful at the same time — suspended between motion and meaning.
Made from layered wood, textures, heavy copper wire, and found materials, its textures speak to Ned Albright’s signature wabi-sabi aesthetic: raw, tactile, and deeply human. The upper structure’s hooked forms suggest hands, roots, or possibly worshipped human anatomy — collecting signals from the past while grounding the piece in earthy humor.
Despite its title, Booger Snatch isn’t just comic — it’s a statement about embracing the absurd and the imperfect within ourselves. It’s that place between shame and self-acceptance, between what we hide and what we finally hold up to the light.
Signed, one-of-a-kind assemblage wall sculpture by Ned Albright, from the Attachment Series.
A playful yet haunting figure emerges in Booger Snatch — equal parts relic, ritual object, and reminder that humor lives inside even the most human repairs. Booger Snatch balances whimsy and reverence in a sculptural composition that feels both ancient and alive. A central, curving wooden form reaches outward like a relic or a gesture — awkward and graceful at the same time — suspended between motion and meaning.
Made from layered wood, textures, heavy copper wire, and found materials, its textures speak to Ned Albright’s signature wabi-sabi aesthetic: raw, tactile, and deeply human. The upper structure’s hooked forms suggest hands, roots, or possibly worshipped human anatomy — collecting signals from the past while grounding the piece in earthy humor.
Despite its title, Booger Snatch isn’t just comic — it’s a statement about embracing the absurd and the imperfect within ourselves. It’s that place between shame and self-acceptance, between what we hide and what we finally hold up to the light.
Signed, one-of-a-kind assemblage wall sculpture by Ned Albright, from the Attachment Series.
