The Drawing captures the immediacy of a sketch translated into the physical world. A web of twisted wire arcs and crosses within a weathered wooden frame, suggesting both chaos and control — the mind’s effort to understand itself through motion.
Muted layers of texture and pigment form a quiet background that contrasts with the dark, spontaneous wire lines. The piece feels like a drawing that refused to stay on paper, insisting instead on becoming an object — something to stand for the act of thinking itself.
As with many works in Ned Albright’s Attachment Series, it invites reflection on the tension between freedom and structure, gesture and permanence.
Constructed from reclaimed wood, texture, rusted steel, and wire, The Drawing embodies the artist’s ongoing exploration of wabi-sabi imperfection, giving form to the beauty of unfinished thought.
Signed, one-of-a-kind assemblage wall sculpture by Ned Albright.
The Drawing captures the immediacy of a sketch translated into the physical world. A web of twisted wire arcs and crosses within a weathered wooden frame, suggesting both chaos and control — the mind’s effort to understand itself through motion.
Muted layers of texture and pigment form a quiet background that contrasts with the dark, spontaneous wire lines. The piece feels like a drawing that refused to stay on paper, insisting instead on becoming an object — something to stand for the act of thinking itself.
As with many works in Ned Albright’s Attachment Series, it invites reflection on the tension between freedom and structure, gesture and permanence.
Constructed from reclaimed wood, texture, rusted steel, and wire, The Drawing embodies the artist’s ongoing exploration of wabi-sabi imperfection, giving form to the beauty of unfinished thought.
Signed, one-of-a-kind assemblage wall sculpture by Ned Albright.
