The Study stands like a weathered panel of playful discovery — part artifact, part quiet experiment. Layers of reclaimed wood, oxidized metal, and faint traces of pigment evoke the slow unfolding of insight through time.
The composition’s restrained geometry and tactile surface create a balance between order and decay, curiosity and surrender. It’s a work that invites contemplation — not to interpret, but to observe.
Ned Albright’s signature wabi-sabi sensibility emerges in its contrasting surfaces: worn edges beside deliberate marks, muted greens dissolving into rust, the tension between human intention and natural process.
As with other works in the Attachment Series, The Study suggests that every examination — of self, of history, of craft — is ultimately about connection: between maker and material, past and present, seeing and remembering.
Signed, one-of-a-kind mixed-media assemblage wall sculpture by Ned Albright.
The Study stands like a weathered panel of playful discovery — part artifact, part quiet experiment. Layers of reclaimed wood, oxidized metal, and faint traces of pigment evoke the slow unfolding of insight through time.
The composition’s restrained geometry and tactile surface create a balance between order and decay, curiosity and surrender. It’s a work that invites contemplation — not to interpret, but to observe.
Ned Albright’s signature wabi-sabi sensibility emerges in its contrasting surfaces: worn edges beside deliberate marks, muted greens dissolving into rust, the tension between human intention and natural process.
As with other works in the Attachment Series, The Study suggests that every examination — of self, of history, of craft — is ultimately about connection: between maker and material, past and present, seeing and remembering.
Signed, one-of-a-kind mixed-media assemblage wall sculpture by Ned Albright.
